In February 2005, I was invited to work in the north of Sri Lanka with orphans and victims of the tsunami and twenty year war. My goal to was find way of creating art and rituals with them, that would offer ways to make sense of their experiences and to rebuild their community. During my five weeks as a guest of Tamil nuns I engaged with approximately 1000 women, children and men who had lost their families, homes and hope when the tsunami hit.
The Tamils say the Tsunami (26 December 2004) is the second disaster for them, the first being the civil war.
While there, I visited Mulliativu, a town on the Jaffna Peninsula in which 5,000 of the 25,000 souls were taken by the sea. Many of the women and nuns, who offered support and counsel to those survivors, created works of art that reflected their own personal narrative of loss.
In 2009, I was invited to submit a poem to a website that was raising awareness about global warming. My response was inspired by the painting (above) and by my experience so soon after the tsunami as it is believed that human induced global warming causes extremes and frequency in weather events such as tsunamis and flooding and continues to devastate people's loves throughout the globe.
Oh green, lush Sri Lanka -
"Teardrop of India" -
the world weeps for you, and leaves
unwanted salt-water tears
to flush away memories.
Such betrayal from Mother Ocean.
Once nurturing and generous,
a deep rumbling within her womb,
angered her to rise and lash out at your people,
for whom loss is not foreign.
Surviving Fisher-folk!
Cast your nets around her waist,
hold tightly for fear of being lost
and wail for those bodies held
deep within her grasp.
©Sarah Dobbs 2009
This site will offer an investigation into the role women play in community healing, the impact ceremony has on the process and its potential for capacity building.
Showing posts with label ritual and women. Show all posts
Showing posts with label ritual and women. Show all posts
Saturday, 25 October 2014
Friday, 20 December 2013
Theatre and Peacebuilding - Ana Correa, Peru
Since my return from Kenya in April, I've been traveling and continue to explore the role of women in community healing. I recently came across the work of Ana Correa from Peru and her exploration of identity and personal narrative through the use of theatre. She reconstructs and violence of the 1990's civil war in Peru in which 70,000 people were tortured, executed or disappeared. During her performances, she sometimes recognizes women in the audience who are characters in her plays, who have suffered the loss of their sons to violence, but they encourage her to continue in order to share their story with others. It is one thing to know a statistic, quite another to know an individual and it is this personal story she is sharing through her theatre. She explains that "the essence of being is in the encounter" reflecting the role of women who by engaging with one another in conversation, at the watering hole or shop, they discover their shared histories.
Sunday, 24 March 2013
Samburu women
I will not be updating my blog for a couple of weeks as I will be spending the time pulling together all I have been learning, seeing and experiencing over the past few months in Kenya and Uganda.
In the meantime, a few more images to wet your appetite and consider the role of women in community healing
Mother and child, Samburu
A meeting with the women of Unity Village
In the meantime, a few more images to wet your appetite and consider the role of women in community healing
Mother and child, Samburu
A meeting with the women of Unity Village
And now I begin to wrap up my journey here, to write, to try to make sense of it all.
I have been humbled by the generosity of all whom I have met and worked with both in Kenya and Uganda.
Asante Sana
Monday, 8 October 2012
Canadian Thanksgiving - Women and Ritual
A couple of weeks ago I spoke about women's role in ritual. At the time, I did so is a cursory way, and, as it is Canadian Thanksgiving, I'd like to unpack this idea a bit more. Holidays can be emotionally loaded and are wrought with ambiguous feelings. We come together in the act of thankfulness. However, these times are often filled with conflict about our relationships, reminding us of past (or current) disappointments and loss. Margaret Visser wrote in The Rituals of Dinner, "Nothing so unites us as gathering with one mind to murder someone we hate, unless it is to come together to share a meal". I imagine it was just such a traditional celebration that she was referring to!
Our daily lives are rushed now and it is more common for families to miss sitting together for a meal. Rarely do we take the time to cook - choosing rather to eat fast food or produce that is mass produced, or food that is partly prepared that we buy at the shops. We then race home to heat it up and present it as a meal. But the ritual of cooking is an art. It demands time, thought and consideration for those who are going to eat with us. As I prepare the dinner for Thanksgiving, I think immediately of this ritual as an act performed by women contributing to peace building and community healing. The woman cooking a meal to share with her community is embedded in history and a way in which women nurtured their families and their communities. Tradition is really a reflection, or a reminder, of that part of ourselves, or our community, that we admire. In fact, whenever groups of people come together, one of the essential elements to build community is the act of preparing and sharing of food.
I peel the potatoes, carefully calculating that there will be enough leftovers to give to a friend and her children who can't join us this evening. I prepare and stuff the turkey lovingly, wrapping it in cheesecloth so the breast won't burn and it will stay moist through its long slow cooking. I methodically set the dinner table in a way I've done for years - and as my mother and grandmother did - ironing the table cloth, and placing the cutlery, candles, glasses and gourds carefully in its place - the plates will be added later once the food is served. I consider the aesthetics, hoping that every sense is pleasantly stimulated. Slowly the flat is enveloped with the smells of cooking turkey, baked squash and burning candles. I've no fire to set this year but I will make up for this by lighting the room with about 30 candles to give off a warmth that is evocative of a fire. My friend is cooking dessert - made from scratch - as a contribution to the evening (also he knows I'm not a baker). Everything I do is done with a remembrance of past celebrations - some more peaceful than others.
I'm dining with my friends and my father who will turn 89 in a couple of days and I am thankful. All that I do today is a ritual to express my gratitude for having family, food and a warm place to live. So many are without all of that and those who are surrounded by family may actually spend the day trying to find ways to mediate their difficult relationships. Those without family will hopefully be surrounded by friends or, as offered by the Toronto Daily Food Bank, take part in the community ritual of sharing a meal with a new people. I see this ritual art of cooking as being one role in which women build community!
Our daily lives are rushed now and it is more common for families to miss sitting together for a meal. Rarely do we take the time to cook - choosing rather to eat fast food or produce that is mass produced, or food that is partly prepared that we buy at the shops. We then race home to heat it up and present it as a meal. But the ritual of cooking is an art. It demands time, thought and consideration for those who are going to eat with us. As I prepare the dinner for Thanksgiving, I think immediately of this ritual as an act performed by women contributing to peace building and community healing. The woman cooking a meal to share with her community is embedded in history and a way in which women nurtured their families and their communities. Tradition is really a reflection, or a reminder, of that part of ourselves, or our community, that we admire. In fact, whenever groups of people come together, one of the essential elements to build community is the act of preparing and sharing of food.
I peel the potatoes, carefully calculating that there will be enough leftovers to give to a friend and her children who can't join us this evening. I prepare and stuff the turkey lovingly, wrapping it in cheesecloth so the breast won't burn and it will stay moist through its long slow cooking. I methodically set the dinner table in a way I've done for years - and as my mother and grandmother did - ironing the table cloth, and placing the cutlery, candles, glasses and gourds carefully in its place - the plates will be added later once the food is served. I consider the aesthetics, hoping that every sense is pleasantly stimulated. Slowly the flat is enveloped with the smells of cooking turkey, baked squash and burning candles. I've no fire to set this year but I will make up for this by lighting the room with about 30 candles to give off a warmth that is evocative of a fire. My friend is cooking dessert - made from scratch - as a contribution to the evening (also he knows I'm not a baker). Everything I do is done with a remembrance of past celebrations - some more peaceful than others.
I'm dining with my friends and my father who will turn 89 in a couple of days and I am thankful. All that I do today is a ritual to express my gratitude for having family, food and a warm place to live. So many are without all of that and those who are surrounded by family may actually spend the day trying to find ways to mediate their difficult relationships. Those without family will hopefully be surrounded by friends or, as offered by the Toronto Daily Food Bank, take part in the community ritual of sharing a meal with a new people. I see this ritual art of cooking as being one role in which women build community!
Canadian Thanksgiving
For Genevieve Macaulay and Jeffrey Smith
Earth
leans away from autumn sun
and
winter chills have just begun
to
colour leaves before they die.
How
their brief flame delights the eye
while
the green life sinks under earth
to
sleep secure till spring’s rebirth!
Virgo
at last is gone to bed
with
Libra wheeling overhead
and
Scorpio waiting in the wings
whose
tail is barbed with winter’s stings.
The
Hummingbirds were swift to go,
fuelled
from flowers, to Mexico,
the
Redtail hawks on stronger wings
fly
south in search of better things.
Rising
from Lake Ontario
fogs
presage months of ice and snow.
Weighing
these losses, there’s good reason
to
mourn a melancholy season.
Yet
this is not a time of dearth,
we
have the kindly fruits of earth.
the
grain and apples gathered in,
the
hay is saved, the ripe pumpkin
is
almost plump enough to bake
in
pies, or jack-‘o- lanterns make.
And
whether skies are bright or murky
we
sacrifice the fatted turkey.
This
rite began in Pilgrim days
with
pious mien and psalms of praise.
The
Yanks gave thanks on rigid knees
then
fell on the Aborigines
in
fierce and godly genocide,
Jehovah
scowling at their side.
But
we, of course, are not like that,
grateful
to be just where we’re at.
and
with a kinder, gentler creed,
give
thanks for getting all we need.
And
thank our stars for friends right here,
for
laughter, love and country cheer,
good
food, good wine and crystal skies,
and
the brief glow as summer dies.
Subscribe to:
Posts (Atom)

