An American photographer, she has exhibited at the Tate Modern in London, at the Venice Biennale and at the Museum of Modern Art in New York to name a few. Through her images and narratives, she awakens our curiosity about what is real in photography and narrative; what is fact and what is constructed fiction. In the following TED talk she shares two projects: one documents otherworldly locations typically kept secret from the public, the other involves haunting portraits of men convicted for crimes they did not commit.
This site will offer an investigation into the role women play in community healing, the impact ceremony has on the process and its potential for capacity building.
Showing posts with label women. Show all posts
Showing posts with label women. Show all posts
Thursday, 9 January 2014
Photography, Truth and Constructed Narrative
My last post focused on the works of Rebecca Belmore, while one of my first posts was on Lily Yeh Both artists recognize the the power of art to create the foundations toward social change. Social change can begin merely by the simple awareness of oppression, prejudices, barriers and hierarchies. Raising our consciouness is the beginning and the hope is that once we are more cognizant of the need for change, we will be moved to action. Taryn Simon, provides another example in the ways in which women are acting as activists advocating for social change of many kinds. She brings into question if what we see, what we are told is real and, if it isn't real, if it is constructed or a fabrication, then what do we do?
An American photographer, she has exhibited at the Tate Modern in London, at the Venice Biennale and at the Museum of Modern Art in New York to name a few. Through her images and narratives, she awakens our curiosity about what is real in photography and narrative; what is fact and what is constructed fiction. In the following TED talk she shares two projects: one documents otherworldly locations typically kept secret from the public, the other involves haunting portraits of men convicted for crimes they did not commit.
An American photographer, she has exhibited at the Tate Modern in London, at the Venice Biennale and at the Museum of Modern Art in New York to name a few. Through her images and narratives, she awakens our curiosity about what is real in photography and narrative; what is fact and what is constructed fiction. In the following TED talk she shares two projects: one documents otherworldly locations typically kept secret from the public, the other involves haunting portraits of men convicted for crimes they did not commit.
Wednesday, 30 January 2013
Community
Unlike most Kenyans, the Samburu and Maasai have maintained the old way of life, choosing to come together in villages rather than purchasing their own "shamba" - a plot of about an acre of personally owned land that they farm individually. The importance to people living within the villages in working together is palpable. The Samburu also have large families of 7 to 15 children making it difficult to gather enough money for food, clothing and education.
The reason why this is important to the notion of community is when people stop working together, toward the benefit of all, life can be much harder. Most of these women have come to these villages to escape arranged marriages, female genital mutilation (FGM), or they have been sent away form their husbands because they have been raped. Although performing FGM is viewed internationally as a violation of human rights, shifting cultural practice is something completely different. The grandmothers still push for female circumcision as they fear the young women who are not circumcised will not be able to marry.
In these villages women are truly working together and the collaboration is what is making all of their lives easier. It appears to me that they heal their community and re-story their lives through collectively working towards financial independence and building new lives for their children, other women in nearby villages, and for themselves.
Monday, 14 January 2013
Kenya
Happy 2013!
In a couple of days I will be heading to Kenya to begin work with women exploring community healing, ritual and the role women play in the process. My hope is to undertake a project that is arts-based and will focus on the personal narratives of internally displaced women.
I'd like to explain a bit of my thinking . . . . Why Kenya? Why now?
Between 1963 and 2007, Kenyans suffered gross human rights violations. Whether victims or perpetrators, the majority of the population suffered. In 2008, the newly formed Kenyan government, passed the Truth, Justice and Reconciliation Act to begin to investigate and address these violations with the objective of promoting peace, national unity, healing and reconciliation. One of the processes undertaken, was to travel throughout the country and hear from individuals to get an idea of what happened. What kinds of violations occurred and how were people impacted by the experience.
In Truth Commissions, it is important to ensure that both genders are included in a dialogue in order to gain a clear understanding of the root causes of violence and how it effected men and women. Women require special consideration as they see peace differently that men. Men view peace when the weapons and put down, and the violence stops. Women see peace when community life returns, schools re-open and people get back to work.
In 2010 a new constitution was introduced in Kenya with changes that aim to accommodate socio-economic diversity and ethnicity, and to promote gender equality, equity and democracy. Many women are unaware of the new rights that benefit them. In addition, the upcoming election in March has raised some concern over whether there will be a repeat of the post-election violence of 2007.
Perhaps this is a good time - a period between the past and the future - in which to engage in a process of re-imagining a desired future. As Jean Paul Lederach says - relationships are at the center of social change.
I will arrive in Nairobi on Friday and will take a few days to settle in. Stay tuned . . .
In a couple of days I will be heading to Kenya to begin work with women exploring community healing, ritual and the role women play in the process. My hope is to undertake a project that is arts-based and will focus on the personal narratives of internally displaced women.
I'd like to explain a bit of my thinking . . . . Why Kenya? Why now?
Between 1963 and 2007, Kenyans suffered gross human rights violations. Whether victims or perpetrators, the majority of the population suffered. In 2008, the newly formed Kenyan government, passed the Truth, Justice and Reconciliation Act to begin to investigate and address these violations with the objective of promoting peace, national unity, healing and reconciliation. One of the processes undertaken, was to travel throughout the country and hear from individuals to get an idea of what happened. What kinds of violations occurred and how were people impacted by the experience.
In Truth Commissions, it is important to ensure that both genders are included in a dialogue in order to gain a clear understanding of the root causes of violence and how it effected men and women. Women require special consideration as they see peace differently that men. Men view peace when the weapons and put down, and the violence stops. Women see peace when community life returns, schools re-open and people get back to work.
In 2010 a new constitution was introduced in Kenya with changes that aim to accommodate socio-economic diversity and ethnicity, and to promote gender equality, equity and democracy. Many women are unaware of the new rights that benefit them. In addition, the upcoming election in March has raised some concern over whether there will be a repeat of the post-election violence of 2007.
Perhaps this is a good time - a period between the past and the future - in which to engage in a process of re-imagining a desired future. As Jean Paul Lederach says - relationships are at the center of social change.
I will arrive in Nairobi on Friday and will take a few days to settle in. Stay tuned . . .
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